This was 2 of 2 of the two “The” movies I picked out at MMU: The Glass Key and The Hidden Room.
Jealousy and triangles are the stuff of novels and real life melodrama more generally, so I’m hardly making a deep point if I point out the relevance of triangles to Noirs as a genre. It’s just noirs are adjacent to murder mysteries, or more colloquially “who done its” although who committed the murder is not always the point.
As omniscient viewer-voyeurs, the Hollywood norm, we knew all along that the Brit guy was holding the American guy in a hidden room because the latter had been cavorting with his flirtatious wife, who liked to flirt with guys and who thinks her hubby is a jerk.
The jerk (he is a jerk) decides to seek revenge and devises this plot to off the next dandy boyfriend type to come along, and he happens to be this unlucky American dude, with a wrong-side-of-the-tracks (other side of Atlantic) accent and everything (crude manners).
I like how the movie starts out with the older gentleman set, boomers by today’s standards, although that’s all wrong, sitting around smoking and drinking and carrying on about relative values of currencies, the way older male grownups tends to yak when running in packs (clubs) like this.
Humans often like to segregate by gender; males like their pyramid hierarchies (called soldiering). These were the old United Kingdom imperialists watching their empire go on in but fragments, in breakup mode.
One could argue the beginning of the end was the American Revolution itself, but this isn’t a history movie, it’s a detective movie, a noir.
The other main hero, aside from the captured American (which American puts up a good front even though his would-be murderer is hellbent) is the Scotland Yard detective, the quintessential “mind like a steel trap” dude, the Columbo of this story, a British Peter Falk.
Our culprit boomer feels hounded from their first meeting, which of course clues our detective to the man’s guilt: his sense of smell (the odor of fear) leads him by the nose to the hidden holding chamber, just in time to frustrate the murderer’s objective.
Another monkey wrench: his Breaking Bad style bathtub had been drained of its body-dissolving acids, meticulously transported from another secret room back at headquarters — a dog trick, literally. This story is clever in that way, by getting a cute dog into the action.
So the jerk culprit boomer doesn’t even get the satisfaction of killing his victim and yet he’s caught with murderous intent, and, plot twist, even though we think that means the American gets the girl (the flirtatious wife), all he really wants is her dog (and vice versa), whom he’s bonded with in captivity, and she’s gracious enough to let that happen.
Another triangle is solved.















